Why Did Rome Fall - and Are We Next?
Key insights
Books referenced
- Rubicon - Tom Holland - Holland's book on the fall of the Roman Republic; the throughline for the episode's Rome/America and Caesar/Trump comparisons
- Dominion - Tom Holland - Holland's book arguing that human rights, individual dignity, and modern compassion are inherited Christian ideas, not universal ones
- Lives of the Caesars - Suetonius (translated by Tom Holland) - Holland's recent translation; survived antiquity thanks to a single manuscript in circulation by Charlemagne's time
- The Vampyre - John Polidori - Byron's doctor wrote this novella from a story Byron told at the same ghost-storytelling evening that produced Frankenstein; it established the vampire-as-aristocrat trope
- The Vampire - Tom Holland - Holland's own debut novel, written after abandoning a Byron-focused Ph.D.; the first of a three-book vampire deal before he pivoted to history
- Unforgiving Places - Jens Ludwig - Referenced by producer Morgan Levey during the listener-question segment on gun violence solutions
- Braiding Sweetgrass - Robin Wall Kimmerer - Teased as the subject of an upcoming episode; mentioned as a long-running bestseller about indigenous plant knowledge
Media referenced
- The Rest Is History - podcast - Holland's own history podcast with Dominic Sandbrook, now reportedly pulling 18 million downloads a month
- Interview with the Vampire - movie - Mentioned as the cultural backdrop when Holland first got interested in vampire fiction as a Ph.D. dropout
Companies
- Goalhanger - Production company behind The Rest Is History; paired Holland with Dominic Sandbrook
Techniques and frameworks
- Fast first cut - Levitt's habit of quickly stress-testing a new idea (like taxing ammunition to reduce gun deaths) before investing further research, to filter out ideas that sound clever but don't hold up
- Economic complements - Levitt's framing for why restricting ammunition supply seemed like it could indirectly restrict gun violence - guns and bullets are complementary goods
Summary
Steve Levitt opens the episode by pressing historian Tom Holland, author of Rubicon and co-host of The Rest Is History, on whether American democracy's durability is something to take for granted. Holland's answer is a firm no: democracies are historically rare, and republics from Athens to Renaissance Italy to revolutionary France have repeatedly collapsed into autocracy. The two spend the first half of the episode working through the parallels between the fall of the Roman Republic and contemporary American politics, with Holland walking through how wealth concentration (first around Pompey, then Julius Caesar) let individual men eclipse republican institutions, and how Caesar's combination of populist showmanship and looming criminal prosecution pushed him to cross the Rubicon rather than submit to a legal process controlled by his enemies. Holland draws real but bounded parallels to Trump - a shared "Populares" political vibe and a comparable use of power to escape legal jeopardy - while concluding Trump likely lacks the sustained relentlessness Caesar had to actually pull off an American version of the republic's collapse.
The conversation shifts into how any of this ancient detail survives at all. Holland explains that papyrus rots, so text only reaches us through generations of scribes who judged it worth the labor of hand-copying - a process he calls a "popularity contest" that explains why classics like the Iliad endured while vast amounts of antiquity simply vanished. Individual manuscripts, sometimes a single surviving copy, are the hinge on which entire chunks of history exist or don't; Holland's recent translation of Suetonius survived by exactly one thread traceable to Charlemagne's era. The same fragility applies to religious history: surviving accounts of Muhammad were written more than a century after his death and are, in Holland's view, layered with theological motivation rather than functioning as neutral biography.
From there Holland turns to the argument of his book Dominion: that ideas Americans (and secular Westerners generally) treat as self-evident - human rights, individual dignity, sympathy for the powerless - are specifically Christian inheritances rather than universal truths. He uses the near-universal revulsion at Harvey Weinstein's conduct as his central example: a Roman would have seen nothing objectionable in a powerful man using social inferiors however he wished, since Roman elite sexual morality treated domination as ordinary rather than transgressive. Even committed atheists like Richard Dawkins, Holland argues, remain "cultural Christians" whose moral instincts were shaped by a millennium of Christian conditioning they can't fully escape by rejecting the religion's truth claims.
The episode's second half is more personal and lighter. Holland recounts dropping out of an Oxford Ph.D. on Byron to write vampire novels, spending years supporting himself that way before pivoting to history writing with no formal credentials - a move he credits partly to history's unusual status as an academic discipline that's also a branch of literature, and to generous mentorship from scholars like Mary Beard. The episode closes with the recurring listener-question segment: producer Morgan Levey relays a question about whether restricting ammunition supply could reduce gun violence, and Levitt walks through his "fast first cut" method for stress-testing an idea (panic stockpiling, manufacturer ramp-up, and the fact that mass shootings account for under 1 percent of gun homicides) to show why the idea, despite sounding clever, doesn't hold up.
Notable Quotes
"Politics in ancient Rome is about vibe. It's about whether you cast yourself as a stern, flinty defender of the traditional order, or whether you play up to the gallery." - Tom Holland
"A Roman would've seen nothing wrong at all with what Harvey Weinstein did." - Tom Holland
"It's hard to judge ideas in the abstract, and I would say at least nine out of 10 ideas that I've had... in the end, it doesn't turn out to be right." - Steve Levitt
"You change from one lane into another lane, and suddenly there are no traffic jams. There are no roadworks. You're just driving away into the sunset." - Tom Holland